The archive of continuous line studies

Three Figures explores the human form through continuous line drawing and expressive fields of color. Each work brings together three stylized figures, movement, texture, and abstraction, creating a balance between simplicity and visual tension.

Abstract Gesture

A body of work exploring gesture, texture, layered color, and material through painting and mixed media. These works move between abstraction and representation, allowing process, movement, and physical presence to remain visible in the surface.

Color & Structure

This body of work began as an exploration of how color relates through tone, value, scale, and proportion. The compositions gradually evolved into imagined landscapes seen from above, while the layering of color creates an illusion of depth and spatial dimension. Black lines emerged later as a way of defining and separating forms, giving the works greater visual character while preserving the original painting that established the series.

Mixed Media

This body of work explores the transformation of familiar images through recycled materials, assemblage, and constructed surfaces. Developed through a long process of collecting, cleaning, sorting, and organizing discarded materials by color, the works examine how everyday objects can become both image and material. The series brings together painting, relief, collage, and assemblage to explore the relationship between material, memory, and visual representation.

This body of work explores iconic pop Art imagery through recycled material and processes of visual reproduction. The Marilyn Monroe series brings together two defining languages of Pop Art: Andy Warhol’s use of saturated color and repeated photographic imagery, and Roy Lichtenstein’s Ben-Day dot aesthetic. Reinterpreted through discarded coffee capsules and large-scale assemblage, these references are transformed from printed images into physical, tactile surfaces.

The series also extends into a handmade textile work composed of nine Marilyn images. Each image was individually assembled and sewn by hand and machine, allowing irregularities and imperfections to remain visible. The contrast between the precision of industrial screen printing and the physical imperfection of handmade construction becomes part of the work itself.

Recycled Image

Marilyn Monroe

Recycled Nespresso coffee capsules, mixed media

Nine Marilyns

Textile assemblage, hand- and machine-sewn

This body of work explores the expressive potential of gesture, color, and layered paint across the space between figuration and abstraction. Some works emerge from recognizable human figures, while others begin with imagined scenes, spatial relationships, or visual experiences that become increasingly abstract through the painting process.

The compositions are not conceived as purely formal arrangements of color. Beneath the gestural surface, specific images and intentions remain present: a wave and surfer, a crucifixion viewed from above, human figures in movement, and other imagined spaces. Gesture becomes a means of constructing and transforming the image, allowing representation to coexist with abstraction, accident, and material presence.

Expressionist Abstraction

Encaustic

This body of work explores encaustic as a process of layering, accumulation, and erasure. Pigment, wax, gesture, writing, and fragments of previous marks are built into the surface, allowing the image to emerge through a continuous process of addition and transformation. The works explore the relationship between material, memory, and the traces left by the act of painting.

Drawings

Drawing is a continuous part of my practice and a direct way of observing the human figure, movement, space, and gesture. My drawings move between figure studies, bullfighting, flamenco, jazz musicians, and architecture, exploring different forms of rhythm, structure, and physical expression through line.

Across these subjects, drawing becomes both observation and interpretation. Line records movement, defines structure, and allows gesture, repetition, distortion, and spontaneity to remain visible.

Toros y Toreros